You can view and download my most up-to-date CV here.
Theatre production experience:
As a designer's assistant:
“DIE FLEDERMAUS”, 2019 - Argovia Philharmonic, Alte Schmiede, Baden
Design: Stefan Mayer
Director: Robert Hunger-Bühler
My role: Bühnen- & Kostümbildassistenz
Design: Stefan Mayer
Director: Robert Hunger-Bühler
My role: Bühnen- & Kostümbildassistenz
“VERNON SUBUTEX”, 2018-2019 - Das Theater Neumarkt, Zürich
Design: Alexander Wolf, Justus Saretz
My role: Bühnenbildassistenz (Hospitanz, 100%)
Design: Alexander Wolf, Justus Saretz
My role: Bühnenbildassistenz (Hospitanz, 100%)
As a prop maker/ scenic artist:
"Guet Nacht, Chuchi", 2024, Engel&Magorrian
Design: Linda Rothenbühler
Requisiterin / Head of Props, TOBS! Theater Orchester Biel Solothurn, 2021 - 2022
“Chess”, 2017, Royal Conservatoire of Scotland
Design: Kenneth McLeod
Design: Linda Rothenbühler
Requisiterin / Head of Props, TOBS! Theater Orchester Biel Solothurn, 2021 - 2022
“Chess”, 2017, Royal Conservatoire of Scotland
Design: Kenneth McLeod
“Snow Queen”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Robin Peoples
“Cabaret”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Kenneth McLeod
Design: Robin Peoples
“Cabaret”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Kenneth McLeod
“Brigadoon”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Siiri Korhonen
“Jan Tait and the Bear”, 2016, CCA, Glasow
Costume design: Victoria Brown
“Dance School of Scotland: Destinations”, 2016, Theatre Royal, Glasgow
Design: Hazel Blue
Design: Siiri Korhonen
“Jan Tait and the Bear”, 2016, CCA, Glasow
Costume design: Victoria Brown
“Dance School of Scotland: Destinations”, 2016, Theatre Royal, Glasgow
Design: Hazel Blue
“Earthquakes in London”, 2016, Tron Theatre, Glasgow
Design: Catherine McLaughlan
Design: Catherine McLaughlan
“Owen Wingrave”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Cordelia Chisholm
Design: Cordelia Chisholm
“Cabaret”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Kenneth McLeod
Design: Kenneth McLeod
“Academy Cantonese Opera: Gongs and Drums”, 2015, Hong Kong Academy for Performing Arts, Hong Kong
Design: Cheryl Ching Hoi-man, Suki Lee
Design: Cheryl Ching Hoi-man, Suki Lee
“Wilderness”, 2015, Hong Kong Academy for Performing Arts, Hong Kong
Design: Wong Yat-kwan
Design: Wong Yat-kwan
“Sir John in Love”, 2015, Royal Conservatoire of Scotland, Glasgow
Designer: Emma and Giuseppe Belli
“West Side Story”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Kenneth McLeod
Designer: Emma and Giuseppe Belli
“West Side Story”, 2016, Royal Conservatoire of Scotland, Glasgow
Design: Kenneth McLeod
“Mother Goose”, 2015, Royal Conservatoire of Scotland, Glasgow
Design: Robin Peoples
Design: Robin Peoples
“13”, 2015, Tron Theatre
Design: Kerry Francesca McAreavey
Design: Kerry Francesca McAreavey
“Our House”, 2014, Royal Conservatoire of Scotland, Glasgow
Design: Suzie Inglis
“Amazing Adventures of Aladdin and the Magic Lamp”, 2014, Cumbernaud Theatre, Cumbernauld
Design: Suzie Inglis
“Amazing Adventures of Aladdin and the Magic Lamp”, 2014, Cumbernaud Theatre, Cumbernauld
“Betty Blue Eyes”, 2013, Royal Conservatoire of Scotland, Glasgow
Design: Fraser Lappin
Design: Fraser Lappin
Film / TV production experience:
"Masked Singer", 2020 - present, Pro7 - Germany, VTM - Belgium
Costume Design: Marina Toybina
Costume Design: Marina Toybina
“Greylag”, 2016, Royal Conservatoire of Scotland, Glasgow
Director: Ben Hunter, Design: Alisa Kalyanova
Director: Ben Hunter, Design: Alisa Kalyanova
Other related experience:
2018 - Work as Reception and Admissions Manager
The Lir Academy, National Academy of Dramatic Art, Dublin
The Lir Academy, National Academy of Dramatic Art, Dublin
2018 - Designing, fabrication and installation of a window display for The Constant Knitter, a yarn shop in Dublin
2017 - Work as a maker and researcher for Medical Device Design Group at University College of Dublin, continuing research into the use of crochet and knit structures in medical devices, conducting tests on properties of fabric (antibacterial testing, wicking, absorbency etc.)
UCD, Dublin
UCD, Dublin
2017 - Work placement in Buí Bolg, theatre company based in Wexford, Ireland, making large scale puppets and installations for St. Patrick's Day Parades in Dublin, Wexford, Cork and Kilkenny
Buí Bolg, Wexford
Buí Bolg, Wexford
2017 - Work placement at University College of Dublin, focusing on research into using crochet and knit structures in inflatable muscle structures in soft robotics
University College of Dublin, Dublin
University College of Dublin, Dublin
2015 - “Anchor and Sail” joinery and boatbuilding apprenticeship
Galgael and Tall Ship at Riverside, Glasgow
Galgael and Tall Ship at Riverside, Glasgow
Training:
2016 - Certified course in Welding, City College of Glasgow, Glasgow
2014 - 2017 - Production Arts and Design degree, Royal Conservatoire of Scotland, Glasgow
2015 - Prop Making, School of Theatre Entertainment Art in Hong Kong Academy for Performing Arts, Hong Kong (student exchange)
2003 - 2010 - Sociology, Master’s Degree, University of Lodz, Lodz
Skills:
Sculpting, mould making, 3D printing, fibreglass, silicones, casting in resins, plasters, latex, life casting, prosthetics and special effects make up, polystyrene carving, EVA and Plastazote, scenic art, faux finishes, ageing, electronics, mechanics, vacuum forming, laser cutting, ARC/ MIG welding, brazing, soldering, wood carving, carpentry/ joinery, upholstery, sewing, crochet, needlework & lacemaking, foam patterning, enlargement and foam mascots, photography, stencils, calligraphy
Software:
Fusion360, Adobe Photoshop, Adobe Lightroom, Corel PaintShop Pro, Prusa Slicer, Inkscape
Member of:
The Guild of Irish Lacemakers
Hobbies and additional skills:
Crochet, photography, navigation, hillwalking, cycling, cooking
Languages spoken:
Polish, English, intermediate French, intermediate German